Ici...ou là bas? | here...or there?

Official selection in 16th Busan International Film Festval, New Currents, 2011



The Synopsis

A retired couple, she is Asian, he is European, both are filmmakers in their sixties, living modestly in Viet-Nam, in a simple house in a fishermen’s hamlet.

Early one morning the man takes his fishing rod and heads off on his motorcycle along the waterfront road to the small fishing port. He climbs onto a boat and heads off to the open waters. Without any luck to catch fish, he decides to go for a swim. While in the water the boat heads back, leaving him alone in the open sea.
Slowly the man drowns, soon to die when night falls, confused by images coming to his mind.

Meanwhile, during the day, his wife gone through her daily occupations. Towards evening she begins to worry, goes to the harbor and questions the fishermen who swear that they didn’t have her husband on board but that the security guard stopped him. She goes to the guard’s office and he denies having stopped her husband. He says that he saw the man aboard the fishing boat. She returns home distraught and goes to bed in a state of agitation.

The next morning at dawn, the man, wearing a suit and necktie, steps out of the sea, and walks home. Completely soaked, he lays down beside his sleeping wife.

Unable to see her husband who  is joined by  other « ghosts » from the family altar. She makes various telephone calls and learns that her husband is seeing a friend, owner of a massage parlor.
She invites « everybody » for a party.

The man explains to his friend that he needs an extra for his film. He requires a beautiful body. The friend presents him several women to choose for the part.

The man, his friend and the girl leave the massage salon, get into a car and head off to the party organized by the man’s wife.

The meal is lively. They are all present: the friend, the three fishermen, the massage girl, the neighbor, the security-guard, the lady owner of the pub, and finally, coming from the altar, three ghosts join them.  The ex husband joins the man, talking of the time he was alive and lived with the wife....

Everyone makes comments and gives his opinion on whether or not the man has slept with the young girl. All of a sudden, the young girl reveils a secret. The situation turns around.

The Intention

A film about the mechanisms of the imagination The purpose of this film is to treat mechanisms of the imagination, what is common for evrebody, whatever is the age or situation. Whoever, in his breakfast, does not remain to look his canape but envisages perhaps next hours, its day, and why not what he would like to make of other one of this day, and why not his death and his resurrection to see the effect which his disappearing could have on his closest... Every other minute we are, in the imagination here, in the canape, or over there. So this film is a game of pictures which begins very close to reality (this could be true, a documentary, go to the peach, but this slides imperceptibly up to a death and one beyond imagined. It goes even up to the production of this imagination by final meal where all actors come back celebrate it of course, while they have to make nothing together from the point of view of history. This production empties before the man goes back to daily reality, finally by a bucket of water which he accepts in full face as they awaken a the unconscious or as a spectator wakes up in a room after a film. It is not the history of a White retired man in the Vietnam with his Vietnamese wife, it is the mechanism of its imagination while it waits for his wife for breakfast. So, what makes a tension in this film it is not action, nor psychological development of the figures, but knack that it invents successively, always more distant from reality. What is close to reality is not more true. It is made of the cinema. He does not dream, he imagines.

the Press

hollywoodreporter.com 10/11/2011 by Maggie Lee

Actor-writer-editor Jean-Luc Mello creates a metaphysical film-within-a-film that showcases his talents while exploring small town or suburban life in Vietnam. For a film on cultural dislocation and "being" as a relative concept, Here or There? is all over the place conceptually. Vietnamese director Siu Pham's feature about a Frenchman, who is simultaneously in several places and meta-filmic dimensions, is too weird to be taken seriously, and not witty enough in its whimsy to charm. The film exists predominantly to showcase actor-writer-editor Jean-Luc Mello's antics, which amuse and puzzle like a mime show performed by a sleepwalking surrealist.

 

Strikingly visualized and not without curiosity value, the film should catch the eye of a critic here or a programmer there, as long as they don't mind the film-within-a-film chestnut. French audiences are more inclined to grasp some culturally specific nuance or simply enjoy its je ne sais quoi.

 

The narrative just extends over one day, though the scenes and people's actions feel deliberately more disjointed. A Frenchman (Mello) wakes up in his house. Concurrently, he is riding around town in a motorbike, fishing and adrift in the sea. Interspersing these scenes are voice-over dialogues between the Frenchman and his Vietnamese wife about the disruptive construction of a shrine for "forsaken spirits" next door. The wife's fruitless search for him around town, his unnoticed presence around her and visitations by her dead relatives prompt one to infer he is dead. Otherwise, one is a doppelgänger. But which one?

Both interpretations are compounded by another development, whereby he is a filmmaker scouting for a body double for his wife in a massage parlor. A titillating scene happens on the casting couch with naked masseuse Hoa. By the final scene, which reunites every character at the dinner table, it is possible everything has been a shoot.

 

Living abroad and being married to a local wife makes the protagonist an outsider and insider at the same time. By choosing to visualize this state of mind in an abstract manner, Siu achieves moments of poetry and imagination, such as a scene with synchronized swimmers. Most of the time though the scenes feel improvised and are too head-scratching to sustain interest.

 

Particularly cryptic is the recurrence of situations in which the Frenchman gets wet, like floating in the sea, dipping into a Jacuzzi with his clothes on and getting splashed with a bucket of water. “He must get wet in every scene,”said a crew member in the meta-film segment. The only clue to this mysterious trope is the opening shot of a frog spread out against a glass pane, perhaps suggesting a joke about frog and Frenchman.

 

The locations reflect small town or suburban life in Vietnam with authenticity and visual interest, providing a refreshing alternative to the usual exotic, romanticized celluloid images of the country. Radical color juxtapositions of shades of lime and green apple with pink and pomegranate add a touch of fantasy. The choice of music is cool and eclectic.

 

 

 

The bottom Line

A mind-boggler about cultural dislocation with a Gallic sensibility.

The Production

"Here..or there" was shot in 2010 in Hoi An and Danang / Vietnam.
Language: French and Vietnamese, English subtitled.
Financed by Sunny Independent Pictures (Geneva) and HKFilm (Ho Chi Minh City).
HKFilm assured the production by making available his team and technical means.
Julie Béziau and Frank Desmoulins supervised assemblage picture and sound.
Digital Kantana Service accomplished the postproduction.
Distribution: Vietnam Media Corp. - BHD Co., Ltd.
Script: Jean-Luc Mello
Actors: Dang Tu Mai, Jean-Luc Mello, Vinh Son, Tuyet Quan, Tran Nguyen Khanh, Pham Chay, Le Yen, The Phong, Nguyen Thi Hue, Le Vy...
Director of production: Nguyen Vinh Son
Director of photography: Nguyen Trinh Hoan
Executive producers: Afshin Salamian, Nguyen Nu Nhu Khue Cameraman Phan Cong Danh
Editing: Jean-Luc Mello, Julie Béziau
Sound: Tran Manh Hoang, Franck Desmoulins
Art director: Do Ba Ty
Line producer: Tran My An
Postproduction: Bach NN, Kantana Digital Service
Music: Jamasp Jhabvala

Siu's Blog

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Siu Pham, lives and works in Geneva and Saigon... CV

  • Here or there
    29 Sep

    here or thereThis film depicts the imagination of a man as a permanent and common mechanism which is already experienced by all of us, where one slips quickly between reality and fiction, here and there, true or false, visible or invisible, present or absent... As an European, living in a country where he doesn't understand the language, and where worshiping ancestors is traditional and profound,he invents his reality but depends on how the dream is going on...

  • Swallow an angel
    27 Sep

    swallow an angel
    "Persons who do
    not wobble in the torment,
    who operate on the ground
    where they send real messages
    the ground of symbols."

    (Paco Igniacio Taibo II)

  • Homostratus
    26 Sep

    HerostratusHomostatus
    "I am in my mother's room. Now, I live there."
    (S. Beckett)


    Project 2012
    Director: Siu Pham
    Screenplay: Jean-Luc Mello

    A city in explosive development. An unique skyscraper tower stands in the center, showing an anonymous wealth and success. Overcrowded streets of human beings, all on motorbikes, get mixed up into circulation streams, nobody knows neither their source nor their activities. A magma of images reflects, without consistency, all ideals of consumption.

  • Some Play
    10 Dec

    cherryLorem ipsum dolor sit amet consectetuer at Nunc vel ac cursus. Duis Nulla nunc odio In pretium pharetra risus Nunc id Nam. Pretium Sed orci condimentum dictumst Vivamus et pede Curabitur quam eros. Metus condimentum non at orci Phasellus Cras pellentesque id Quisque tempus. Pede felis dolor molestie euismod nulla consequat sem scelerisque tempor libero. Parturient sed elit laoreet enim convallis platea Donec et tempus.

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